#thoughts i have while doing some writing

[streets-in-paradise]

Instead of the classic " meeting the ex leads to women fighting because she wants the guy back", I have more fun with " meeting the ex raises questions in the current partner when she advices her that being with him is a terrible idea."

[whenthelightisrunninglow]

how's the other guy holding up

[babacontainsmultitudes]

I'm gonna be so fr I actually did feel a little bad for the dollmaker what do you mean it looks like a caterpillar what do you mean it was trying to leave this world???

[charlotte-family-apologist]

Just some Kenshi practice that I've been doing between wips

[fatedroses]

And some days, I just wish you wouldn't look at me at all.

[avastyetwats]

Izzy Hands and his fascination/love for candles.

[im-kinno-hello]

and if i made a comic about them making a blog for the weird demon dog they found in the woods just because they are being brainwashed by it and it told them they need to spread the word of what word they don’t even fucking know?

[artbyblastweave]

ask game; Victoria Dallon, aka Glory Girl aka Antares

I've always thought that Victoria's first appearance is quite the bit of deft needle-threading.

The thing about Interlude 2 is that Vicky is our first example of one of this setting's established heroes actively fighting crime- not just swooping in to vulture up the accomplishments of an up-and-comer- and a therefore a major goal of the sequence is to ensure that the audience comes away structurally unnerved by what counts as business as usual for the heroes, set the stage for the hurricane of ass-covering to come. So we have a sequence where she lords her power over a baseline criminal who has no realistic chance to fight back or get away, where she cripples and nearly kills him in a display of excessive force, where she uses her connections to other capes to duck out on the consequences of her excess once she realizes that she's crossed certain moral and optical Rubicons. All of this is gross, all of this speaks to an alarmingly cavalier attitude amongst even the most ostensibly accountable heroes. And from a protagonistic perspective, all of this serves to soften the blow of Taylor's actions at the bank in act three, because we're predisposed to see Vicky as an arrogant, overprivileged loose cannon who'd actually have a significantly higher body count than all of the Undersiders put together if not for the cushion afforded to her by her status as a superhero. A golden child up against the already put-upon underdog.

But. She also does all of that to a Neo-Nazi, who was fresh off committing a hate crime. I mean, if this was violence against a purse-snatcher, a drug-dealer- It would be very, very easy to block this sequence in a way that would set her up as a villain and nothing else for the rest of the work. In The Boys, for example, Homelander debuts by incinerating one bank robber's hand and throwing another a thousand feet into the air to land hard on a parked car, and the dissonance between that casual brutality and his chumminess with the onlookers is the thematic backbone for... basically the entire show, because he was in such total control of the situation that the only reason to do it that way is that he fundamentally doesn't care. In Super Crooks, it's made abundantly clear that the superheroes trying to arrest the titular supervillains are significantly more destructive to the city than the villains are, because their institutional backing removes any incentive to do anything but pursue the flashiest arrests possible for the sake of ratings. But Glory Girl? She's a sixteen year old putting her money where her mouth is on the unconsidered-dilettante suburban-left-ish tumblrite rallying cry of punching a Nazi. She's living out a near-boilerplate superheroic fantasy of righteous violence against an uncomplicatedly righteous target- likely a fantasy entertained at least once by the median cape fan, if we're being honest- and then, in the aftermath, blood on her hands and on the pavement, staring down the full weight of the prospect of actually having killed a person in an unconsidered spate of rage, is very much a panicked teenager about it, scrambling for a way to walk it back.

Which, independent of the specifics of whether this particular asshole had it coming, is the problematic element of this that generalizes- that superheroism in this world is a system that puts the social license to use concrete-shattering power in the hands of a kid with the judgement and attitude of someone scheming up ways to dodge curfew. She's done this before, she's gonna keep doing this, she's gonna keep being two-faced about it with her public-facing golden-girl image. But she wasn't wrong to be angry. And the fact that this is the kind of thing she gets angry about is hard to separate from later beats where she tries to do right by people, hard to separate from her willingness to put herself on the line against Endbringers and the Slaughterhouse 9. It's a bad situation, a horrible system that's guaranteed to incentivize bad behavior, they shouldn't be assigning any of this shit to a 17-year-old. But later on, when things go south for her, the seeds are planted so that she can retain audience sympathy in a way that she likely wouldn't be able to if this story was a banal hatswap, with unfairly maligned "villains" who do no real wrong against supervillains who happen to call themselves superheroes.

[thiscityneedslessfog]

the Midnight Channel Killer is a control freak and I’m going to shout about it

Alternate title: I can’t take it anymore, I HAVE to talk about the bitchy spider

I have to say, I love that Adachi is impulsive as hell and that p4’s plot happened entirely because this guy flew off the handle at Mach 8 over not having his rather invasive question answered. He’s not at all a master manipulator (though he likes to pretend he is), he’s an emotional wreckage that’s ruled by his violent temper and desperate clinging to his pride and I’d argue naivety.

I mean, I'm convinced the real motive of the Midnight Channel Killings is a horrific cocktail of boredom, misogynistic entitlement, jealousy, and most of all a desperation for a sense of control over his life... I love that irony because he loses control over his own body in his attempted power grab via Ame-no-Sagiri taking him over in the end before the Investigation Team beats the crap out of her.

Why do I say it’s a sense of control over his life? It's a bit hard to explain, but I've noticed every time Adachi complains about his situation he projects the issue onto someone else. Here he puts the blame on his bosses for casting him out to Inaba when… they cast him out because he screwed up. We don’t actually know what he did (I’d bet it’s information leaking if I had to guess. It sounds pretty severe but it’s clearly not bad enough to completely ostracize him), but it’s clearly was his own fault he got cast out.

Here’s the thing—Adachi clearly genuinely believes he has no control over his life, and makes it abundantly obvious he believes in fate, the idea that your life is decided the minute it starts, throughout his dungeon.

I mean… this is just blatantly not how the world works… talent is just a skill you catch onto faster. Everyone catches onto some things more than others. The real magic ticket is connection. Humans are social creatures. I could go on a long winded rant about this but this isn’t about humanity, this is about one insecure, prideful dumbass. This is why I call him naive, actually—his horrendously warped worldview.

Meanwhile Adachi’s rant after Saki’s death makes it… really obvious that he feels he had no control.

Again, he deflects blame from himself when he made the damn mistake that locked him in here. He firmly believes that he’s a victim in this situation when he caused it himself. And he wants a way out.

It makes sense, right? Adachi is a very controlling person in general, after all. Hell, Yamano and Saki’s deaths both make it obvious. Yamano’s I have more to say on with Adachi being a control freak.

The first thing I want to talk about is Adachi’s threat towards Yamano before he attacks and kills her. So, in my experience (I genuinely cannot cite a source here it’s “trust me bro”) there are two bases of power that you can have over people: trust and fear. Trust is usually built by a good rapport with another party (or numerous other parties) so that they’ll let and even help you get where you need. Fear meanwhile is built on making them believe they can’t stop you even if they want to, and it tends to be easier to spark than trust. And since Adachi is pretty livid with Yamano and feels entitled to her due to his Midnight Channel induced desperation, we get this telling line.

Also, a late edit: I finally found out from some of my friends why Adachi said he wasn’t intending on killing her…

Anyways, I’m keeping in the fact that JYB made this scene genuinely chilling. Holy crap, it’s weird hearing him voice villains. And great.

The second thing I want to talk about is how his really creepy entitlement towards women (including a teenage girl—SHE’S NOT EVEN A WOMAN YET) is another facet of how his controlling tendencies manifest. Not even just that entitlement—it’s his possessiveness and jealousy over them, like they “belong” to him. It doesn’t help that he’s got a violent temper—he killed them both because, again, he flew off the handle!! Yamano’s death has already been mentioned—he was angry at her for “betraying him” when she didn’t even know who he was until he approached her to ask that question.

(hardly can be called an affair when you two aren’t dating…)

But Saki’s was even more of him being a controlling bitch—he attacks Saki because he saw her just talking to Namatame. He didn’t want someone he was attracted to interacting with someone he was jealous of at all, and in response makes some violent advances on her. And then when she literally just defends herself, he kills her in response. All because some guy he hates spoke to her, and that wasn’t allowed in his eyes. Talk about a green-eyed monster…

Not to mention in both situations, Adachi is taking advantage of his inherently more powerful position as a police detective (you know, LAW ENFORCEMENT) and taking advantage of the people around him’s trust in the cops. I mean Saki asked him why she was being questioned right before he cornered and attacked her. I’m mentioning this because these scenes were him aggressively abusing that power that he clearly genuinely wants to have…

And speaking of Namatame, Adachi was panicked when Mitsuo Kubo became his copycat. He didn’t want Kubo to get accused of being the Midnight Channel Killer, he wanted Namatame to be! Just Namatame, nobody else! He threw away a very easy out just because he was so particular about who he wanted to frame for the Midnight Channel Killings.

(As another aside, I played p4 with a large pack of friends and even though I’d suspected Adachi since Yukiko’s dungeon, Adachi throwing in Kubo was what made me go “no way it’s ANYONE else.” Great job, Adachi, you played yourself. 👏…👏…👏…👏…)

He also risked himself being exposed (and got exposed) because of the “threat letter” (which, to be honest, from his interactions with Nanako during his social link, was really a PANIC letter) because even though Namatame was now doing something he wanted the whole time up until this point… Nanako is actually someone Adachi likes, and that one factor being present causes everything to crash. (To be fair to him on this point, it’s Nanako. So it’s a mix of his controlling side AND one of… what, two? Three, if we include Yu…? people he actually is attached to being in danger.)

As for why he’s so controlling, I don’t really know. I have speculations, though. I believe he’s likely got trust issues because he questions why Yu trusted him, and even stifles a laugh when Yu tells him he believed in him.

The fact you’re Dojima’s best friend, dumbass.

Yu didn’t trust Adachi out of naivety. I don’t know if Adachi genuinely doesn’t realize or is in denial about it, but Adachi is Dojima’s best friend. In his second scene and his first where he does anything more than throw up, he playfully teases Dojima upon him saying “Our perp… it’s gotta be someone in Inaba.” Adachi is invited to dinner numerous times, right after Yukiko is rescued, he drunkenly tells you about Naoto being rescued at Dojima’s place, Dojima doesn’t bat an eye when Adachi is near Nanako. Dojima cares for and trusted Adachi, and Yu saw that. And Yu putting his trust in Adachi was putting his trust in Dojima’s judgement by proxy. It makes total sense Yu would trust Adachi…

Not to mention, he constantly pushes people away, like Dojima or Yu or the old woman. Relationships at their core are exchanges—there’s no fundamental difference between a friend and a business partner other than potentially trust and attachment, so I think he’s just… not really willing to give any of himself and just takes. Also he just doesn’t seem used to it (he literally states he avoids the old woman because he has no idea how to respond to a woman who actually acts like a decent parent.)

I think he not only thinks it’s safer to be this way, but…

Adachi is a very proud man, and shows that his sense of pride makes him believe he can do everything on his own. He sees all the events that led him to Inaba, to becoming the Midnight Channel Killer, as out of his control. I mean literally look at his rant after killing Saki above. He was “supposed to be the best of the best,” and blames his superiors for sending him to Inaba when, again, it was his own fault! I think partly because of his pride, he also just thinks “if anyone can do it right, it’s me, so if anyone should head this, I should.” I know tons of people like that! I mean, he tells Nanako that he’s the smartest person in the Inaba PD.

I mentioned this delicious irony with him and Ame-no-Sagiri, but even without all that, despite him being so controlling as a person, Adachi’s not even very good at keeping... anything under control. He was agitated when he realized Naoto wasn’t strung up on the power lines, and… he’s also wildly violent-tempered as Yamano and Saki experienced firsthand—this guy can’t even totally control himself. And manipulating Namatame severely backfired because it led to Nanako almost dying.

the spider is trying to weave a web. he’s struggling.

[many-gay-magpies]

random urge to write charles bisexually bonding with an old lady client

[kerosene-in-a-blender]

Others have talked, very rightly, about Bells Hells having an extremely Us vs. Them style of morality and one thing I find interesting about all that is many of their most virulent (read: actively nasty towards other fans) defenders are also taking this stance. The party line has become that the segments of the fandom that are disappointed with how this campaign shook out have never been happy with anything Bells Hells did from the beginning and have been actively hating on people who do like it for just as long. Us, the beleaguered Campaign 3 lovers versus Them, the mean c3 haters (who are often characterized as being hung up on the Mighty Nein and simply mad Bells Hells aren't the Nein again).

What's been quite funny for me personally is that I have seen vague posts clearly targeted at myself giving me the above detailed characterization of the c3 hater when I: have never seen Campaign 2 (though I did watch Campaign 1 back in 2019), started watching live with the first EXU, got into the fandom (as a lurker) at the start of Campaign 3, didn't make any of my own posts about it until late 2022 and didn't start really posting in earnest until mid 2023. Practically none of the characteristics applied to the archetypal c3 hater certain fans have created actually apply to me, other than of course thinking Campaign 3 actually isn't very good. So it's been interesting to watch people draw lines in the sand and create an Us vs. Them narrative that I know isn't true based on existing as myself.

[qoldenskies]

i say this with a lot of sorrow and grief in my heart but i might drop the idea of finishing and doing a cc epilogue, i genuinely have been holding it off for so long because i havent come up with enough substance for it to justify its own existence :( i do think cw is a pretty good conclusion on its own, but im still kind of upset with myself for being so uncreative with the fluff .... im really sorry

[thirdeyeblue]

“Nine would have treated Martha better than Ten did”

I need to talk about this argument that never seems to stop circulating.

Note: Not a venomous/anti post. There’s more than enough of that across fandom spaces as is, and this is supposed to be a place for ✨sweet, blissful escapism✨

When making this argument, people seem to envision a scenario in which Nine never met Rose.

While I can appreciate a good hypothetical, recognizing Rose's significance to the Doctor (Nine and Ten) is essential to understanding why things with Martha played out the way they did in the first place.

In the third series, the Doctor is grieving. This grief is deliberately threaded into nearly every script, whether spoken aloud or not (and these are just a few examples):

He's burning in Rose’s wake the entire time Martha travels with him, which is why it’s so frequently called upon: It’s 100% deliberate in framing his grief. He grieved as Nine too, of course— having been fresh on the heels of the Time War — but then he met Rose, which changed everything.

Back then, he was still a rude, traumatized pain in the ass, but we watch Rose soften more of those jagged edges with every episode as they grow closer; as he lets his guard down and forms a deep connection with her.

He falls in love (against his better judgment) and it's game over.

And yes: provided S1E1 had been titled 'Martha', one can realistically assume things might have unfolded similarly to how they did with Rose. However, it wouldn’t have been that way just because the Doctor was Nine and “Nine was different” — it would be because he wasn’t already in love with someone else. The same can't be said for the start of S3.

Think of it like this: if Rose AND Martha had been in that cellar — if Nine had taken both of them along with him in S1 — we’d eventually be looking at the most melodramatic love triangle ever, what with him living in close quarters with two brilliant, gorgeous, compassionate young women... But Doctor Who is plenty “soap opera” as is with just one woman in the TARDIS.

(I certainly wouldn’t object to reading that fic, though)

Now, regarding the unrequited elephant in the room…

His inability to be romantic with Martha isn’t because he thinks her lesser, nor is it for lack of compatibility. It isn't because Rose is any better than her. It certainly isn’t just because he’s Ten.

It’s really only for one reason, which can't be denied — and now I’m a broken record:

He is still in love with Rose.

(cut from a tenrosedaily gif)

Nine is Ten, and Ten is only such a mess in S3 because he’s just lost the love of his life. Martha merely got caught in the crosshairs of a volatile Time Lord in mourning, and yes — it sucks. Absolutely.

But it also feels dismissive to chalk Ten and Martha’s relationship up to little more than some sort of mindless dance of pining, jealousy, and toxicity.

Ten trusted Martha with his life over and over again — and hers, with him. He constantly praised her brilliance, happily carting her around time and space with no intention of letting her go. In the BBC’s extended universe of novels/comics/cartoons/etc, there’s so much depth to their relationship: love and trust and trauma and sacrifice. They had their own special bond as mates, their own complexities — so it’s a bummer that it's forever overshadowed by the other things.

I’m not denying that there was a lot of stuff that sucked/was for sure toxic about Ten's S3 behavior, but so many of the things I've seen him catching flak for can be directly attributed to being A Clueless Fucking Alien Idiot (not a trait that’s unique to Ten) — as well as his flat-out obliviousness to Martha’s feelings.

So yes, I agree: if Rose never existed, he would have treated Martha differently as Nine. He also would have treated her differently as Ten. Certainly.

But Rose did exist, and when discussing canon, it matters.

“He tells me that he absolutely, 100% loves Rose... He tells me how my daughter; my wonderful, beautiful, clever little girl saved him from himself before… And he says that’s all because of me! I made her into the Rose Tyler that saved him.”

-Jackie Tyler, Flight Into Hull!

Martha got the short end of the stick in S3. She came round at the wrong place and time, but that doesn't mean it was all bad. It doesn't mean the Doctor didn’t adore her. It certainly doesn't mean the time they spent together was wasted or worthless. They were brilliant!

Sure, he could be a twat, but let it be known that he was a twat with Rose as well, both as Nine and Ten. I’m sure Tentoo can be plenty infuriating, too. So while I'll defend Ten (and Tentoo) into the ground forever and ever and ever, I'll concede that he's fucked up.

The Doctor is a certified Pain In The Ass. It’s one of the things I love so much about this character — dynamics.

But never forget that Martha was goddamn tough as nails and overcame every bit of it. She moved on with her life, and the Doctor moved on with his. One can only pray that, when they inevitably drag her back onto the show (which feels inevitable if I'm honest), we see at once that she's been living her best life for all these years.

[redibanni]

Readers of TCF: Why You Should Read Turning and Vice Versa

Are you interested in Found Family tropes? How about time travel fiasco and everything in between that's happening to badass main characters? Want to get involved and seeing the battle between corrupted monarchy and royalty? Last but not the least, feel the thrill of seeing OP characters kicking bastardized enemies from behind and giving them their own medicine? If so, Turning/TCF should be the perfect novel for you!

I wanted to point out the similarities and differences of what makes Turning on par with TCF's themes! Keep in mind I haven't reached halfway of Part 2 of TCF yet, so my knowledge might not align with TCF's current timeline. With that out of the way, here are the common themes of why you should read TCF/TURNING:

1. Found Family

It's what hooked me into TCF in the first place—everyone's relationship with Cale, a tight knit that wouldn't seemingly unknot no matter how hard you try to separate them. In TCF, we have Cale as the center of the wave, our beloved Commander who had experienced many fights of his own that shaped his world view, and consequently, how other people spanning a whole continent see him as well. Meanwhile Yuder, in his current 2nd timeline, had not only learned to cherish and paid attention to those around him but also communicate and connect to a deeper level he previously failed to achieve in the 1st timeline. You could argue that Yuder's title as Commander's Assistant is almost the exact same as Cale's position as the Young Master. In a way, they have their main support, but it doesn't mean it's only their means of support. What's funny is that they're both picking up strays left and right on the street and giving those said stray a place they could comfortably and confidently call home, and it never fails to make me smile every time they have a new recruit.

Yuder is more active at involving himself with the other Calvary members, it's because of his unique disposition as Commander's Assistant and also a former Commander gave him the power and ability to patiently train people. Not to mention, he is considered as Instructor From Hell for his absolute 0 nonsense and merciless style of train that makes people pass out after training, grow exponentially and come back for more.

If you're wondering if the side character that you just read and loved instantly would disappear, worry not! Kuyu and Yoo Ryeo Han treat their characters carefully and equally, and more often than not, they will reappear in the story! Whether unintentionally or intentionally is the biggest question.

2. Commanders Of The Previous Life And Their Similar Position

They both prefer to be the forefront and lead the fight—often clashing with the enemies head on. They even have more or less similar fighting styles, in which they wouldn't want to draw out fights unnecessarily, have an incredible mountain of patience in dealing with pests and would wholeheartedly throw hands at anyone who insults their loved ones. Not to mention, they're both sacrificial bastards™. They're both generous, in a way they would teach other people how to fight and fend for themselves, thanks to their commanding experience that spanned for a decade.

Their previous lives are a topic of sensitivity—and I can't help but see how they were distant and cold in their previous life after losing the people that were important to them. Similar to being cursed with a series of bad luck (ahem). Cale became closed off, harder to approach yet still providing help and assistance in his own way as the team leader despite that, he had the strong will to live on. The Calvary members' impression on Yuder were negative at the start, thanks to his stoic expression and unwillingness to approach or connect to anyone, leading to a series of accumulated misunderstandings and bad reputation, but despite that, he was their unmoving fortress and cave that shielded everyone until his death. Both gave off the impression of being respected and feared, with nobody that they feel connected to.

In a way, you could conclude their 1st timeline as nothing more than horrible strings of bad luck since you can't exactly fault anybody. And that's exactly the beauty of this tragedy. Their past lives were their own experiences, and not exactly a direct result from a single person.

As a transmigrator, Cale was given a second chance to live his own life through a novel he read. He used his knowledge to manipulate the original timeline and twisted it to his favor, and suddenly, he has a god tier level good luck. Unknowing that he had literally and metaphorically picked up people with him and became a living legend for generations to come.

As a regressor, Yuder woke up after his execution thanks to the hypocrisy of nobles and false accusations. Virtually having nobody to believe him only to wake up in 11 years from the past and became determined to protect the important person that died in his timeline: Kishiar La Orr and stop the tragedies that happened in his past life.

It made me realize they weren't so different in circumstances, after all.

3. Outside POV

We can't forget the hilarious reactions that people often harbor for these two protags! My main source of POV prime entertainment would honestly be Clopeh from TCF and Kiolle from Turning. They have their own interpretation and often hilarious thoughts for the MC, but they respected and feared them the same.

It is through these interactions that we had the glimpse of how people in the novel interacted and perceived them, and let me tell you, it gets hilarious from there. With Cale, and his absolute 0 self-awareness and refusal to explain his actions any further unless necessary vs Yuder, who would shoot down any misunderstanding and still be misunderstood in a silly way.

Misunderstanding is a common theme in TCF but don't let it stop you since it only plays on how other people perceive Cale with no dramas attached. It serves as a pace of narration and even comedic undertones. Turning in particular, is like a breath of fresh air. Fixing the misunderstanding is a theme in Turning, and I couldn't be more happy to indulge in both tropes.

4. Enemies

Ah, yes, secret organizations are a common denominator in both novels, but of course—there's more. Monsters in particular, are present in both novels. It almost led me to believe that if we combine these two novels, they wouldn't be out of place. Gods, mages, priests, sword masters, guardians—you name it, are shared by them like a ping pong ball.

The powerful antagonists don't disappear from taking a hit from one blow, and we see it both in TCF and Turning time and time again about how they're running on time. The conflict in TCF that should be minor became much bigger than anticipated, and I could say the same for Turning.

The fights in these novels have lessons ingrained in them—and that's what I cherish the most. The protagonists grow with the people they surround themselves with, and how those people would repay the favor later on.

What sets them apart is the existence of plates and ancient powers in TCF and omegaverse in Turning.

I didn't consider Awakener as the main difference because, if you think about it, the Ability Users in TCF could be considered as "awakeners" in Turning's world building system. Which is why I wanted to read or see a crossover of them, if possible.

5. Almost Exact Elemental Abilities

How nostalgic, this was the og's in TCF! Cale is never the same without the talking ancient powers he conversed with in his head. As much as I wanted to push how it led to funny interactions and nothing more, it was also the reason why Cale was such a badass despite being dubbed as having a small and weak plate! He mercilessly trumps over his enemies with his ancient powers despite not wielding any weapons: Wood/Shield, Healing, Wind, Fire and Earth. I'm aware he has more than that but I don't want a long list of their attributes AND names yet. What we do know is that Cale would overcome that weakness and grow to be more powerful as the chapters goes on, and that same goes for his people as well.

As for Turning, Yuder is an awakener that could wield all natural elements, namely: Fire, Water, Air and Earth. Although his abilities are at a disadvantage when facing monsters, his dexterity and efficiency in different kinds of weapons and experience makes up for his weakness. Similar to being an Ability User, being an Awakener grants the person their unique set of powers after encountering a battle of will with themselves. So the power varies from character to character. I love learning a new character's ability, and what role they would play in the Calvary!

6. Opposites Of Methods Yet Similar In Goal

Cale wants to live peacefully and achieve a slacker life while Yuder wants to save the world and prevent the disasters happening again in the 1st game (timeline).

If you think that Cale doesn't have the same goal as Yuder, you're wrong. Cale and Yuder are similar in so many ways, that both ultimately wanted to save people and grant world peace if possible. They both made the impossible possible and hilariously enough, in their way to becoming a legend. They both don't see their own actions as praiseworthy and get confused whenever other people praise them. Their own failures and shortcomings are the reason for their self doubt. It shows that despite everything, they're still human.

Cale has creative liberties and more headache inducing than Yuder, but they made everyone worry about them in equal measure. Being confined and forcing a vacation for them makes everyone feel relieved, haha!

7. Romance

Expecting a romance in TCF is virtually little to none, unless you include side character romances, it isn't the center of the novel. I firmly believe that Cale wouldn't entangle with any romance subplots, but of course, as a reader, we have the power of fanfiction in our side and making our imagination a reality. Although there's no romance, the interaction between Cale and his Found Family is a reward in itself.

Turning, however, has the greenest of green relationship regarding our MC and ML! Yuder and Kishiar's dynamic is my go to read whenever i'm in dire need of fluff. Sometimes, they're so sweet that it gives me so much tooth rotting fluff! I can't even stand it sometimes, I need a relationship like them in my life! The relationship between their 1st game and 2nd game are so stark you could hardly believe they're the same person as they once were due to the bad luck set by their first connection to the point it sent you to tears.

And that's exactly the charm. In Turning, love is both painful and beautiful. In a way, Kishiar and Yuder accept each other's flaws and shortcomings without compromising anything, with no misunderstandings and toxic relationships. It's a step up after reading toxic BLs, and frankly, I can't go back there after reading this masterpiece.

if you dislike omegaverse, fortunately for you, it isn't centered to just that and it's relatively new in their current era that makes you forget about it until it reappears due to the minority of people that falls under the category of alpha/omega. It's a refreshing take on the trope we readers knew so well and read how characters adapt to these changes, as well as suffer the consequences. It wasn't until 300+ chapters in the novel that suppressants became a thing, and there isn't even a power imbalance between an omega and alpha. Their second gender doesn't affect their social status and they're treated as normal people because of being a relatively new phenomena.

[ticklystuff]

does anyone here play fire emblem? im playing this cringe ass anime chess game again and i need the good tickle shit

[gideonisms]

everyone's crazy about that cop from arcane but can't handle daisy & basira smh